Archive for May, 2017

Another non-review – Who Saw The Light / Tuskar / Lowdown – Star Inn, 18th May 2017

May 21, 2017

I missed Lowdown.  Well, I caught a touch… they’re a young, mainstream rock act.  I think.  The singer can sing.  I love to see a musician looking like they’re having as much fun on stage as the bassist appeared to be… but ultimately not my thing at all.

I’ve met Tyler once before, and he cornered me after the gig tonight.  He plays drums in Tuskar.  He sings.  He wanted to know what I thought of his band.  Why?  My opinion is everything, I buy that, but kinda only to me.  One might argue my opinion is nothing.

I started talking.  He seemed to think I wasn’t overly impressed.  I’m not one to bullshit what people want to hear.  I could’ve just said “really great, man, loved it!” and I wouldn’t have been dishonest, but me and my big gob tried to be more honest… and it’s hard to get across exactly what you wanna say, especially briefly and when you’re knackered and you’ve just had a few drinks watching a couple of fuck off noisy metal / doom / sludge / whatever bands.

I was happy to be cornered.   I love talking music.  I enjoyed Tuskar a lot.  Sludgey, doomy shit, heavy-as guitar / drums two-piece.  Someone – someone who knows a load more than me technically – said three things.  Tyler is a fucking good drummer.  Tuskar have developed as a band to a point well ahead of their years.  They convince.

I buy these assertions 100%.  They are a ‘proper band’.  Some bands sound more like musicians playing together, especially when they’re young and starting out.  Tuskar are a proper fucking band.

I don’t see tons of ACM stuff, and what I do see is mainly the noisier end, so I’m probably missing loads of good bands over the last few years… but Tuskar are only the third name on my list of “proper bands” I’ve seen live coming out of ACM over the last few years.  Following Foxes, Who Saw The Light, Tuskar.  I have no doubt Blackwaters could be added to the list but I ain’t seen them live.

So, what could have made me go “fucking amazing” without a fraction of second’s hesitation when Tyler asked what I thought?

(1)  If I was more of a sludge / stoner / doom expert then I’d have a better idea of just how good they are in the context of the style of music they make.  But I’m not.  All I can really say is that it’s a style I really like, they do it well and I look forward to seeing them again.  But I have no real idea where they sit in the genre, who are most similar to them, how good they are in comparison to their closest rivals.

(2)  Here’s where things get tricky.  Songs.  There’s loads of bands locally who I really love going to see live.  Tuskar can be added to the list.  The main thing that they don’t tend to have – that the very best bands do – is fucking great songs.  Songs that get in your head damn quick and just stay there.  It might be kinda obvious, it might go without saying, but my advice (easier said than done) to just about every band I go see is “give everything you’ve got to writing the best songs you can.  I know you’re not pop, but catchy is generally good, and I’d advise you to take something from pop.”  As I say, easier said than done.  That said I really need to listen to the ep [Tuskar – Arianrhod] half a dozen times and see them live a few more times before I really judge the songs… but pretty much every band on the planet could do with a few better songs.

(3)  Innovation.  The greatest bands were innovators.  Black Flag and The Melvins are two bands I fucking love – they are both great, they both have great songs… but most impressively they have helped create genres and influence thousands of bands (probably tens of thousands of bands!)  There is nothing wrong with finding your niche and trying to play a certain style or combination of styles well, but set your sights at the stars, and try to find a way to take it – your music – no not just your music, music generally – to the next level.

When I go see live music in small venues I’m kinda judging every band against both ends of the spectrum.  On the one hand I can love a band simply because they put a smile on my face, get the foot tapping or rock hard.  On the other, to be great they need to do what the likes of Blacks Sabbath and Flag did.  Write numerous great songs that have not only been loved by fans across the world, but which have influenced the course of music history.  I don’t fuck around, I demand a lot.

TLDR – I really liked Tuskar, look forward to seeing them again and seeing them get better… but I wanna see them write their own Feel Good Hit of the Summer and change the course of metal history, and they ain’t getting 100% praise til they’ve done both those things.  Now fucking get to work.

I could say many similar things about Who Saw The Light, but there’s a couple things that have that do make them stand out.  There have a sense of anarchy, chaos and danger that is very difficult to pull off.  Their somewhat eclectic, all-over-the-fucking-place-style is much less easy to pigeonhole, and easier to picture developing into something that not only rocks but also influences others.

Two fine fine bands.

Check out Who Saw The Light again at the Star tonight.  Get there early – its an all dayer.  Check out Tuskar’s ep.

And fuck it, do one more thing –


Wild Eye chats shit re: music, aka a sorta review of a gig featuring Gallops, Adam Betts and Parachute For Gordo

May 20, 2017

Bollocks – if only I’d seen them before my post of February 21st 2017 I could have stuck ’em on the list and called them Parashit For Gordo.  That’s a compliment by the way.

Some old bollocks what I wroted

Anyway, The Boileroom, Guildford, 17th May 2017.  Three bands.  Scratch that, two bands and a one man band.  I am not gonna review it, I’m gonna chat shit, though some element of review might slip through.

Post-rock, that’s kinda what I was expecting from PFG and Gallops.  I had no idea what to expect from Adam Betts.  I’m not a big fan of post-rock to put it mildly, so I wasn’t massively hopeful about the music.  So why did I go?  PFG sounded pretty good from what I heard online, and any band that is willing to make such a massive effort in terms of being more than a band – I’m referring to their latest album (Possibility Of Not out on Rose Coloured) and its accompanying videos – deserves the benefit of the doubt, no doubt.

Parachute for Gordo – Anemone to Manatee

But there’s another reason I wanted to go.  I was expecting to see at least one guitar band who combine samples, looping and other electronic shit.

I like some techno a lot.  I like all sorts of electronic music.  I like “abstract guitars” and lots of effects.  I am fascinated by the combining of electronic elements – and dance beats even – into a band setting – it often surprises me how few bands do it, though it does seem to be becoming more and more common, and maybe I gravitate towards the genres which tend to be more “all-live” (doom, stoner, sludge, punk, noise-rock) than those genres who mix in loops, samples etc.  My music-making schemes and dreams will almost certainly, if I ever get off my arse, stop watching Scorpion (spoiler alert – Paige and Walter, together, at last!) and actually do something constructive with my spare time, involve programmed drums and abstract guitars.

I kinda should – on paper – like post-rock.  Effects-laden guitars.  Experimental.  but I’m really not sure I do.

PFG came on first.  I’m not sure they are post-rock.  To my ears they’re a funky post-punk rhythm section complemented by abstract guitars.  They are playful, surprising and have got a groove going on.  I liked the set.  Not really my thing – I prefer noisier bands – but I’ll be listening to them more.  I love music for the mind, but let’s be fair, music should really make you wanna rock out or dance, even if you’re too old, tired or cynical to actually do it.  I liked the variety to the guitar that went with da funk.  Post-rock is probably not a million miles from the truth, but if they are post-rock then they’re the acceptable face of the genre.

Adam Betts drums and loops and triggers samples (I think this is about right).  I really didn’t enjoy the visual aspect at all.  If you’re doing that much electronically then I kinda think, “why not just ditch all live instruments and do this in a club environment?”  A couple of tracks I really didn’t like, but a couple were absolutely superb, upbeat techno.  Took me back to my 90s clubbing days, even though I haven’t ever heard anything quite like Betts.  The other thing is the reservation I talk about in the second paragraph down from here – it is a big one for me, and it applies to Betts a lot, Gallops a fair bit.  And even PFG a bit, though to be fair to them they don’t use a lot of tech as far as I can see – and not all of it worked – one song they had to abandon as a result of the PC not obeying Laura (guitar).

Tangent – I really don’t mind bands that are unprofessional – long delays between songs, failing technology, falling apart half-way through a song and having to start again.  No problem with any of it, this is rock n roll not some choreographed classical bore-fest [I refuse to tolerate classical music for so many different reasons, though robably the main ones are political – wowzers – my tangent has a tangent].  To be clear, PFGs lack of professionalism was one small bit of failing technology, not the whole spread of chaos and fuck-ups that I would have happily tolerated.

Gallops.  Nah.  Not my thing.  Drums, guitar and guitar / keys / electronic percussion.  Didn’t like the guitar sounds or soundscapes the sound created.  Didn’t like much really.

I still haven’t really seen a lot of bands where I like the mixture of guitars and electronics.  I think it’s mainly cos I don’t like sounds such bands choose to use, not because it’s an inherently bad idea.  That and because I can’t help thinking about what they’re doing from a technical point of view.  This is partly because I’m interested in different set-ups, but partly because I want to know what’s going on.  What am I seeing?  Part of the joy of seeing a live band is the honesty of it compared to listening to a record.  When you introduce technology you add levels of uncertainty and even distrust.

Tangent – Nova Twins – put on by Jasta11 a few months back at the Star – combined technology and guitars (mainly bass actually) and live drums and it REALLY worked.  I think that was down to the fact that the sound they were going for really matched the technology and instrumentation being used – they are a band who want to make you wanna rock out AND dance.

I think they’re three factors to consider –

(1)  It is inevitable that many people – most even – will look at you differently compared to all live.  Many will not trust you.  Many will think of you as less authentic (read ‘Faking It’ if you wanna understand the issues surrounding authenticity in popular music – superb read).  You can say fuck ’em, but if you want an audience then taking on board their thoughts makes a lot of sense.

(2)  One way of building trust is to tell the audience what you are doing.  Literally announce at the start of the set.  eg “We’re Brainflab.  We are a live bass, drums guitar three-piece, but we do use sequenced drums and synthesized strings to augment our sound, plus the guitarist does looping on the fly on several songs.”  Maybe I am bonkers but I honestly think I would have enjoyed Betts and Gallops more if they’d both made such announcements at the start of their set, or maybe after the first track.  Betts aluded to his technology, but didn’t give me the clarity I would have liked.

(3)  A second way of building trust is to use technology for one or two, maybe three distinct = and clearly artificial – elements, and then layer guitars that actually sound like guitars on top.  Make it relatively easy for the audience to identify what you’re doing, what is “real” and what is not… whereas if your electronics is samples of live instruments untreated, and your guitars sound heavily treated it becomes that much harder to identify what is being done live and what isn’t.


Does anyone out there get what I mean, or I am mad – should I just try to put these things out of my mind and just enjoy (or not) what’s in front of me?

Porch, Buzz Rodeo, Space Church, This Is Wreckage – Buffalo Club, Star Inn, Guildford – 14th May 2017

May 18, 2017

I think this was probably the best Buffalo Club line-up yet, certainly the most international with four nations represented.  This is gonna be one of my shorter reviews, mainly because I’d had a lazy six hour session watching football and tasting beer before I even turned up.

Wales was up first, represented by a guitar / bass / drums three piece This Is Wreckage.  They (noise) rocked and I thought they were excellent.  Bought a CD, not had a chance to listen to it yet.

England was up second, represented by a guitar / bass / drums three piece Space Church.  I must have seen them half a dozen times now and I am only now starting to truly get my head around them.  I am disappointed that they are no longer the complete head-fuck I thought the first time I saw them, but that’s not their fault – you can’t exactly replicate the first time you experience something over and over again.  They are, however, a fine, silly, deadly serious, loud / quiet noise band.

Germany was up third, represented by a guitar / bass / drums three piece Buzz Rodeo.  Fuck it, I’d been going for 8 hours by the time they hit the stage and there’s nothing I really wanna say other than “noise rock, really enjoyed it, blah blah blah.”

The US of A was up fourth, represented by a guitar / bass / drums three piece Porch.  Fuck it, I’d been going for 9 hours by the time they hit the stage and there’s nothing I really wanna say other than “grungey (or am I just saying that ‘cos they’re from Trumpland*) noise rock, really enjoyed it, blah blah blah.”

Must do better next time.  Me, not the bands or Buffalo Club.

* is it still Trumpland or has the fucker been stuck in prison yet?

A random list of bands that have caught my eye recently

May 17, 2017

Salem’s Pot – stoner psych – or go early and find the drone doom

Deap Vally – not a million miles away from being Courtney Barnett gone stoner

God Damn – another fairly heavy, stonery duo.

Queen Zee & The Sasstones – this is punk

Pink Flames – missing link between Spacemen 3 and Mazzy Star?  Probably not but bits of Pink Flames remind me of both.

What is alternative music?

May 9, 2017

I ask the question generally, but I ask it coming from the point of view of having recently set up a Facebook group for live alternative music locally to me in Guilford.

In the “About” section I have said “… it is about alternative music.  If it is noisy or experimental or explicitly rejecting the mainstream then it’s in. That said there are relatively few hard and fast rules – please use some common sense.

“For fans of noise, sludge, doom, metal, post-rock, hardcore, anything with a post- or -core, psychedelia, garage rock, DIY, experimental, shoegaze, grunge, alternative rock. Punk’s a funny one – in theory punk’s in… in practice if you sound like you could have been a local gigging punk band in 1976/77 then it’s probably a bit old hat and boring to be alternative in 2017 (or whatever year it is when you read this).

“If you’re a band or fan of the following then this group is probably not for you – covers bands, folk, skiffle, pop, blues / classic rock, country, sixties / seventies / eighties, house, the sort of indie that appears on adverts for Waitrose. There are other groups that cover this sort of music. No jams / open-mics.”

The intention when I set the group up – with others – was that fans of noisy and alternative musically will have somewhere to share what’s going on to help cross-polinate the local scene.  There seemed to be little things going on, but far too isolated from each other.  I wanted to help support the sort of music that I like, which in the broadest terms is “alternative”.

I might argue that “alternative” maybe started with garage and psychedelia (and the Velvet Underground and the Stooges) in the late 60s.  You had the beginnings of metal and proto-punk in the early 1970s.  Then punk happened, then post-punk took the ideas of punk, but applied it in infinitely more varied ways apart from the simple “hard and fast and simple rock n roll” epitomised by the first wave in the UK (Sex Pistols being the obvious example).

In the 1980s metal started to go off in all sorts of directions, but some metal became mainstream, then you had hardcore punk, alternative rock and all sorts of weird and wonderful things under the name “indie”.  Britpop in the 1990s saw the more traditionalist arm of indie go mainstream, whilst all sorts of hard and heavy punk and hardcore sub-genres and derivations blossomed.  As far as I can see nothing has really changed fundementally since the 2000s started, things have evolved and ever more sub-grenres and micro-genres are making their mark, whilst the word “indie” seems to mean “guitar pop” and nothing more nowadays.  Guitar pop is not alternative.

To my my anything that was once alternative can still be alternative.  Not is, but can still be.  Let’s take a 60s style garage band – it can be done in a very conservative sounding and presented way – a retro nostalgia-fest.  But with the right, hard to put your finger on, attitude and presentation it can still be alternative, just.

Maybe this simply shows my age, but most noisy things since the mid-80s are still alternative.  Grunge, noise-rock, shoegaze – but if you are a blatant rip-off of one of the old bands then maybe you’re not alternative.  You need to bring something a bit different to the table.

Punk is where it gets fascinating.  I love US punk, the whole CBGBs thing, and then Bad Brains and Black Flag and Minor Threat.  Misfits.  Anyone who sounds like them is alternatative, surely?  Or rather if they sound a bit like them but bring a bit more to the table.  I think of UK punk as shit, apart from the great bands of course.  Stranglers – so much more than punk with their keyboards and rapid move to weird concept albums; Buzzcocks – pop-punk, not punk.  I can’t stand oi and street punk, and all the punk bands in the UK that completely missed that punk was dead musically in early 1977 and post-punk was where it was at.  Old punk bands are crap, all it is is ’50s ’60s music played badly / shouted.  It was rebellion for 5 minutes in 1976 and it is not alternative now – it was staid and boring by the time John Lydon saw the light and formed PiL.

There are two big flaws with my last paragraph.  One, I can imagine a young band doing what some of these old punks do and it being alternative.  Am I just being ageist?  Secondly you have a band like Ruts DC.  From what little I have heard they are horrid.  But one of my heroes is Henry Rollins and he’s recently appeared on one of their albums, and he’s always banging on about great British punk bands that him and his mates back in the late 70s and early 80s couldn’t get enough of.  Do I really wanna be on the other side to Henry Rollins in an argument?

I suppose that’s about it generally, and I’d better get back to the group.  I set it up (with others) to encourage post-rock, doom, sludge, noise-rock, math, all the -cores, grunge, the interesing end of metal, interesting modern punk – anything that I like that is good, different and invariably pretty noisy.  I am not interested in old punk bands so I hope they’re out.  But the group will not work if anyone tries to dictate, let alone me… it needs to develop and hopefully find a way that works for the majority without targetting a minority.  Maybe half of what I like is old hat and not that alternative, or interesting, to the average alternative music fan.  And maybe alternative goes a lot wider than I think, and old punks should be welcome.

An interview with Phil Markwick – Buffalo Club, Buzz Rodeo, Porch – The Star, Guildford Sunday 14th May

May 5, 2017

I met up with Phil Markwick last Saturday morning, at the Guildhall on Guildford High Street for the Record Fair.  More browsing than buying, then we headed down to the Star for a coffee, and found ourselves a table tucked away in a quiet corner right by the door to the back room where Phil (and others) put on gigs under the name The Buffalo Club.

We started chatting music… and ended up chatting for over an hour, most of which I got on tape.  This piece will cover the Buffalo Club and in particular their upcoming show at the Star on May 14th, other parts of the interview will likely see the light another time.

“So, what shall we talk about?” was about the best question I asked.  As I say, we chatted.  You’re better off just listening to Phil.  His words are in bold.

“The thing I’d like to talk about is the upcoming show that we’ve got with Buzz Rodeo, Porch and This is Wreckage.”  And Space Church, his own band.

“Tell me about Buzz Rodeo and Porch.”

“Buzz Rodeo.  The quickest way to sum them up is like a German Shellac.  I joked to a friend because Shellac wasn’t efficient enough as it is… they’re very stark, the songs are good, classic noise rock songs.  I bought their album on bandcamp a long time before I knew that they were doing a UK tour.”

“I saw they did a post on facebook saying “hey, we’re doing a tour, these are our free dates.”  So I got in contact with them and said “we do a thing in Guildford, would you be interested in playing?  They were. They were really keen.  It was kinda like a happy accident that they were doing a kind of joint tour with Porch.  Porch was a band, a sort of California noise-rock band from back in the 90s.  I was aware of them back in the 90s, I didn’t see them live back in the 90s, but to be honest I hadn’t thought about them since the 90s.  When I heard they were plaing again I thought “that’s cool” and I was kind of surprised, I thought they had missed that wave of “let’s get back together to do All Tomorrow’s Parties”.  It’s incredible that they’re doing a tour of the UK.  I think I fucked up on pricing [£5 – Ed.] because originally I thought it was just going to be Buzz Rodeo.  With the stuff we do with the Buffalo Club 100% of the money goes to the main band, especially touring bands and out of town bands.  They have petrol costs – flights, hotels.”

“One of the things with the Buffalo Club is how you want to be an arbitrator of taste.  Only bands that I really really really like will play.  But then you learn some rules.  You can get away with four bands playing and two of them have gotta be a draw.  Two of them have gotta bring people out, and if they don’t you just have out of town bands that are fucking amazing but all they’re doing is watching each other.  It seems to me that’s the rule for putting on local shows, like 50% of the bands that play have to be local draws, or if they’re out of town they have to be known.  I’m hoping Porch are going to be a local draw.  As soon as you’re involved in a thing you can’t see the wood for the trees.”

“There’s an other band This Is Wreckage, and they’re coming all the way down from Wales.  Which is great, but I’ve kinda broken that out of town / local balance rule with this.

“It’s certainly not about making money.  When you fill out a room and you’re £50 out of pocket that’s brilliant.  You could put on another show and break even and only have 20 people and I’d rather be £50 out of pocket and fill the room, cos you feel like you’re putting on a party.”

“Who is the Buffalo Club, you’re obviously the driving force?”

“I wouldn’t put it that way.  The Buffalo Club was started by four bands. Secret Black Boyfriend [Now called Moper – Ed.], Fauntleroy, Pensevor and Space Church.  You had a link between all bands.  One member of Space Church was in Pensevor.  Another member of Pensevor was in Fauntleroy, and the other member of Fauntleroy was in Secret Black Boyfriend.  In the early days it was very easy to communicate, unfortunately Fauntleroy have stopped rehearsing as a band for a while.  Everyone is still friends but it isn’t as immediate any more.  It floated apart a bit.  It’s become more just Pensevor and Space Church.  I wouldn’t say I’m the driving force, I mean all it is is booking a venue.  I do the posters, because I have a graphic design background, and you have fun doing them.  It’s not entirely selfless.”

“What do you make of the Star?”

“It’s a great venue, you can get nice and loud, the sound’s really good, the only thing it’s got against it is it hasn’t got a back stage.

“What do Porch sound like?”

“Porch, to me, they sound like a lot of those great 90s bands.  When I was younger there were a couple of bands that I noticed for the first time, and one of them was Jawbox and I’d kinda put Porch in the same cate… I don’t wanna say category… memory, memory box because you discover bands at the same time.”

“Any last thoughts on This is Wreckage?”

“Welsh band, noisy as fuck, absolutely brilliant, slightly avant-garde. Completely fucked up, great stuff, great stuff.”

Finally, Phil, I see your next event is at Sanctuary Live in Basingstoke – who’s playing and what can we expect?

Basingstoke will be for the fans of doom!!!  Yeah, that will be the legends Pensevor.  Pat (the Space Church drummer) plays guitar in that band and he just blows me away with his skills.  He showed me a guitar piece to play the other day and I had to say ‘I gotta re-write that bit’, because I just cannot do those ‘puff of smoke and turn on a dime’ changes that he can do.

It’s the first time we are doing a Buffalo Club in Basingstoke so I am at pains to remind everyone that it’s not in Guildford.  I have visions of people turning up at the wrong venue.

The headliners are Skrackoedlan, I don’t know if I pronounced right, but they are doing a UK tour at the moment and they reached out to me.  I have to admit I had not heard of them before, but I thought it was really good stuff.  I asked Pensevor if they would like play with them, they said yeah, so we went for it.  Skrackoedlan are sort of old school, a little bit ‘Hawkwind’ but in a good way.

With this and the Buzz Rodeo / Porch night we are stepping out a little to get touring bands.  It’s bit more work and financial risk but so it’s great how supportive people have been.

Tank 86 are touring with Skrackoedlan also.  I am looking forward to that, they really have some riffs!  I am not super knowledgeable about the Doom scene and I am kind of ‘I don’t know much, but I know what I like’, but they seem to be taking off at the moment.

Gift of Blindness is playing also. Probably the best dark metal band on the scene today. Think of it are almost shoegaze metal as you just have two guys just focused on playing these amazingly epic metal-scapes. I sort of joked to one the members that you should get loads of dry ice and I will sit behind the drums pretending to play with dildos or something.  


Event Page on Facebook (Buzz Rodeo and Porch)

Buzz Rodeo


Space Church

This Is Wreckage

Masiro / Slug 13 / Luau / Who Saw The Light – The Lounge Bar, Alton 28th April 2017

May 4, 2017

Just a quick one… not got time to say much.

I love Slug 13 (grungey noise-rock) and Who Saw The Light (metal, weird, all-over-the-place-in-a-good-way) – not much to add to what I have said about them before.  Looking forward to seeing them push on.

Luau were on first.  A bit too garage / punk for my tastes, but not bad at all and the surf elements really add something.

Masiro were on last.  A bit too prog metal for my tastes but again, not bad at all.  Like Luau I’d like to see them again.

Cheers to Trial ‘n’ Error for putting in on.

Trial N Error Productions



Slug 13

Who Saw The Light

Gigs in Guildford / SW Surrey and NE Hants May 1st 2017 onwards

May 1, 2017

Updated list of upcoming gigs by bands in and around Guildford, South West Surrey, North East Hampshire, etc, that have caught my eye… this does purport to be a full listing – it’s stuff that’s caught my eye, with bands or promoters I particularly like in bold.  If you’re in a band or a promoter or venue then you’re welcome to get in touch and let me know about what you do – if it interests me I’ll add you on.

Thursday 18th May 2017
Who Saw The Light, Tuskar, Lowdown at the Star Inn, Guildford (Noise Theory, ACM)

Friday 19th May 2017
Morass of Molasses (album Launch), Cybernetic Witch Cult, Prophets of Saturn, Sons of Endor, Tuskar in Reading [The Swamp]

Friday 19th May 2017
Skraeckoedlan, Tank 86, Pensevor at the Sanctuary, Basingstoke.  [Buffalo Club night].

Saturday 20th May 2017
Deadwound, Pensevor, Sealclubber at The Fighting Cocks, Kingston

Friday 2nd June 2017
The Frankleys, Camcorder plus more TBC at the Star Inn, Guildford [Jasta 11 Gigs]

Friday 2nd June 2017
Heinous Pianist, Sizzling Bonobas, Senor Fire at the Lounge Bar in Alton
Note – First support band should really change their name to Sizzling Bono His Smug Face Melting on a Barbecue for the World’s Pleasure and Delight

Sunday 11th June 2017
Alternative Carpark, Slug13, Heinous Pianist, Squid Resist at the Star Inn, Guildford [Leafy Incline Night]

Sunday 18th June 2017
Jungfrau, Swords of Thought, and more TBC at the Star Inn, Guildford [Buffalo Club Night]

Friday 30th June 2017
ALLUSONDRUGS / Icarus Dive / Silent Mode at the Star in Guildford [Jasta 11 Gigs]

Friday 7th July 2017
Cybernetic Witch Cult, Morass of Molasses, Heinous Pianist, Deadbox Radio at the Facebar in Reading [The Swamp]

Sunday 30th July 2017
Moper (ex-SBB) at the Facebar in Reading

Thursday 17th August 2017
VOLA, Brutai, Sertraline, Sleepwalker at the Sanctuary in Basingstoke

Promoters to follow –

The Buffalo Club Facebook Page – Noise, alternative, all sorts.

Jasta 11 Gigs Facebook Page – Indie, alternative, all sorts.

Leafy Incline Promotions Facebook Page – Noisy, grungey stuff.

Rose Coloured Records Facebook Page – Indie, alternative, all sorts.

The Swamp Reading Facebook Page – Sludge, Doom

Trial N Error Productions Facebook Page – Sludge, DoomAll sorts / experimental

Venues to Follow –

The Boileroom Guildford Facebook Page

The Facebar Reading Facebook Page

The Lounge Bar Alton Facebook Page

Sanctuary Basingstoke Facebook Page

The Star Inn Guildford Facebook Page

West End Centre Aldershot Facebook Page

Past Events –

Monday 1st May 2017
Meat Wave at the Boileroom in Guildford

Thursday 4th May 2017
Muncie Girls plus Support at the West End Centre in Aldershot

Friday 5th May 2017
Diggeth, Cavalli, March The Desert, Squid Resist at the Face Bar in Reading [The Swamp]

Saturday 6th May 2017
Forward 4 Wiz Trust 10th Birthday Celebration
I Plead Irony, Parachute For Gordo, Deadstate, Princess, Red Means Danger, Joe Booley, The Hunt at the West End Centre in Aldershot

Tuesday 9th May 2017
Shame at the Boileroom in Guildford

Thursday 11th May 2017
Hands Off Gretel at the Boileroom in Guildford

Sunday 14th May 2017
Buzz Rodeo, PORCH, This is Wreckage, Space Church at the Star Inn, Guildford [Buffalo Club Night]