Posts Tagged ‘Guildford’

Princess, Camcorder, Big Gruesome, Bent Ref and Silent Mode at the Star Inn, Guildford 10th September 2017

September 17, 2017

I’m gonna go random and try to write quick.

Bent Ref were great. Absolutely no idea about what to say about them other than the guitarist had a nice guitar, practically no pedals and the sort of tone that screams “I know what the fuck I’m doing. Worship at my feet mere mortal”. The only band they reminded me of was Sebadoh, but (1) I am not an expert on Sebadoh, and (2) I think they only remind me of Sebadoh because Bent Ref sound a bit like a band that could have been around back then and I think both bands share a kinda song-based but quirky enough that it’s hard to pin down thing. Superb technicians, interesting artists, I like.

Silent Mode rock and I love that their sound is somewhat modern without being somewhat shit (there’s a lot of bands around now that don’t seem to give a shit about their tone, or they want a tone that will alienate people like me who grew up with all sorts of really warm / retro / analogue / valve / sounds). Definitely prefer them at their rockiest / hardest / fastest; they sound a bit like they’re undecided whether they should focus on the heavier, or whether they have enough in the locker in terms of song-writing and talent to be crossover-desert. I don’t have a problem if they stay where they are or go in either direction.

Big Gruesome. Loved the Trematron. Their Facebook page lists the following influences “Black Sabbath, Metallica, Van Halen, The Doors, Pink Floyd, Deftones, Bloc Party, Letlive, AC/DC, Funeral For A Friend, The Cult, Pearl Jam, Motorhead, Led Zeppelin, The Stooges”. NOT MY THING – aside from FFAF and Deftones and Bloc Party and Letlive (bands I know fuck all about and have no desire to learn) you have the sort of tedious mainstram rock shit that is unacceptable as an influence – Lep Zep, Doors, Floyd, Metallica, AC/DC, Cult, Pearl Jam. Plenty of people love this kinda thing. NOT ME. SUE ME.

Princess. Oh Princess. My first gig with new, reasonably good quality ear-plugs… sounded so much more refined that I am used to from them, but what I lost in edge I gained in clarity. The consensus is they’re improving… nothing to blow my mind (not every band can be Who Saw The Light) but their 80s-influenced noise rock hits some lofty heights and never disappoints.

Camcorder are like Princess in that I’ve previously kinda thought it’s the abrasiveness that is the greatest selling point, but I might be coming round to the idea that it’s not. I’ve long wanted to see Camcorder in the quieter and more refined sonic space that is the Boileroom… but I think aforementioned ear-plugs had the same effect.

The Lemonheads were a great band. I’m a sucker for the poppier end of what they did (Mrs Robinson), and especially the rockier stuff (Lick is a proper album). Camcorder are a bit like Bent Ref in that I can’t pin them down but do like it… but if anything Camcorder remind me of what Lemonheads could have been had they dropped the rock influences and gone straight to the pop whilst making sure the guitar fails to sound poppy. This is probably utter horseshit as a description, but I know what I mean. Either way I kinda get the feeling I’m listening to a really poppy but noisy American early-90s grunge-influence indie-pop band. I’m not sure how poppy the songs really are, they all just flash past in the blink of an eye leaving me with a feeling of “I’m not sure what that song was like, but it felt like it was over in an instant so I can safely say it didn’t bore me”. I am shit at this reviewing thing.

Special props to Nick Holland who get’s my “closest thing we had to the promoter turning up” award for the night.  Not a great crowd but not a bad one either, pretty good for a Sunday night in fact. Cheers Stef (allegedly).

The scene is fucking healthy, apart from a few more people through the door would be nice. Four really decent bands for a sum total of fuck all, plus Big Gruesome who I am simply not in a position to judge – I don’t do hard rock.

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Andertons and Always The Sun and the local music scene

September 10, 2017

This is a post related to the other one.

Always The Sun – thank you for putting on local bands, giving them a chance to play.

Andertons – thank you for being a superb shop – great for mail order, very helpful when you go in, great videos etc etc.  Thank you for sponsoring the local band stage at Always The Sun.

But, I have to have a moan. Why did these bands agree to play the Andertons stage? It is presumably a combination of –

(1) the cash they are being paid;

(2) the job of simply getting on stage and blasting their music out is one they love and therefore they’ll do it any time they get a chance (leaving themselves open to being exploited);

(3) the ability to play in front of new potential fans;

and

(4) the general publicity that they will get from appearing on the Always The Sun website and associated marketing materials.

To address each of these points in turn –

(1) I do not know what the bands are being paid but I strongly suspect that the agreed fees are not sufficient on their own to justify the bands playing.

(2) If bands want to get on stage under any circumstances then fair play to them.

(3) Bands and promoters share a responsibility to get as many punters through the door every single time an event is on, though arguably it is primarily the promoter’s job to promote. I have no idea how good a job Always The Sun have done promoting the event, but I do know that I would definitely not have gone had I simply looked at the posters and the Andertons blog posts, that I nearly did go as a result of the promotion that some of the bands did personally, and that I ultimately chose not to go as a result of the response I got when asking ATS some questions.  Questions about set times which are entirely reasonable and normal questions according to every single person I have asked.

(4) I think Andertons let the bands down a bit. They did post brief profiles of some of the bands – well, four out of about 25 – but I really do think that they could and should have made the effort to try to cover all of them over the last month, partly to ensure higher numbers at the festival, and partly to do the bands a favour. It does leave a slightly sour taste in the mouth. Andertons have no obligation to support their local scene, but by sponsoring the stage they are clearly hoping to appear like they are supporting the scene, but only bothering to profile four bands kinda makes it look like it was a token effort rather than a genuine desire to help. I am sorely tempted to suggest to Andertons that they really ought do a proper job next year, or, if they haven’t got the time or inclination to really try to do something for local musicians, not to bother sponsoring the stage at all.

And a similar thing could be said of ATS.  If all the bands are listed on the website then I couldn’t find them. Fair enough if the bands are all being paid £50 towards petrol plus £100 per member as fair payment for the hours of work getting there setting up, playing and getting home. If – as I suspect – they are not getting this sort of money then the least ATS could and should do in return for the bands playing is publicise all of the bands to help boost their profile. Not least as this can only help encourage people to come along to the event.

All in all a little disappointing from both ATS and Andertons.

Always The Sun Festival

September 10, 2017

I know I can be a pain in the arse.

The organisers of Always The Sun can do exactly as they please (on the assumption that they get absolute no council subsidy whatsoever – if they do get council support then arguably they do have a responsibility to do what is best, not what they want, and to answer my questions as a Guildford council tax payer.)

I believe that consumers have not only a right but a duty to give feedback to companies, and to do their best to avoid handing over money to companies that let them down.

I saw the advertising for Always The Sun… a few bands I’d like to see, but overall not my thing – I’m not up for 10 hours straight of live music; you can’t guarantee the weather; small venues have much much better acoustics than fields.  Then, as the weekend drew closer a few bands I like a lot posted that they were playing the Andertons stage.  I was really busy and up for the Star in the evening, but maybe a few hours at ATS would be good if I can see a few bands I love.

The ATS website is not very user friendly. I couldn’t find evidence that all the bands that said they were playing actually were.  There was no full line-up posted for the Andertons stage, let alone stage times. I really did not find the ATS website user friendly, though maybe if they had the programme for all stages clearly listed any other deficiencies would not have bothered me.

I kinda did two things.  Someone posted on Facebook asking about stage times and then someone from ATS replied saying that there will be free programmes at the festival with stage times (followed by a smiley thumbs-up emoticon). I asked a couple of follow-up questions and got no response whatsoever.

Yesterday I went along to the ticket office to ask if they would provide stage times and explain that I am only willing to go if I know what I am paying for (I have other commitments and cannot be there all day) and to cut a long story short I learnt that all the bands are on the website, that there is a very good reason why they are not giving out stage times but that it would take far too long to explain and that they have plenty of customers [1] and don’t need to listen to feedback from the public. I am not certain any of those things are true. Sometimes I think I can be a right pain in the arse, over-demanding and over-opinionated… but I was somewhat reassured by a lady in their 60s behind me in the queue butting in to back me up that it was hard to get the information potential customers wanted.

I phoned my cousin who used to drum in a little band.  I spoke to someone I bumped into at a pub. I messaged a few musicians. I literally could not find anyone who could come up with a plausible reason why they were being so secretive and refusing to provide set-times.

ATS can do what they want – as can I by refusing to pay for a ticket as a matter of principle because I do not like handing money to organisations who I feel do not show me the respect I deserve as a potential customer. I feel that giving full stage times ATS would be doing what is normal in the industry, and they would be meeting customer expectations. I can see massive upsides to this and no downsides. I do not think that it is unreasonable for a punter to ask a promoter why they are withholding information and being left entirely unsatisfied with “we have a really good reason but it’s too long to share with you” as a response.

But the mystery gets ever deeper.  I was doing some googling and it appears that ATS does publish stage times!  Or rather Get Surrey do –

http://www.getsurrey.co.uk/whats-on/family-kids-news/always-sun-2017-stage-times-13584750

Why why why was I not told (either on Facebook or when I gave ATS a second chance by taking the trouble to go to them in person to request information) that this page exists? Saying that here is the listing for the day that I was interested in –

Sunday

Drug Store Romeos – 9pm-9.30pm

itoldyouiwouldeatyou – 7pm-7.30pm

Drones – 6pm-6.30pm

Fables – 5pm-5.30pm

No mention of who is on between 11am and 5pm, or at 8pm.

I have lots of questions of ATS, but my main one would appear not to be “why not publish stage times for the Andertons stage?” it would be “why not publish full stage times for the Andertons stage, and why say that the stage times are not available until inside the festival on the day when some of them are published in the Get Surrey in advance?” Very odd.

The Wild Eye Wild Speculation Paragraph.  The only thing that I can think of that makes any sense at all is that ATS have done an exclusive deal with Get Surrey to publish stage times and then failed to get complete stage timings to Get Surrey in time, and that has left ATS too embarrassed to refer potential customers to Get Surrey’s page, and unable to publish stage times themselves because of the exclusivity deal. This does sound far too bizarre to be true, but it’s the best explanation that I can come up with.

Please please please ATS – let me know why. I write this blog to try to get behind local bands and the local scene – I list gigs at the Boileroom on my blog and try to encourage people to get out more often to see live music. I don’t expect thanks not least because I’m probably not actually making any real difference… but as someone who cares about the local music scene and who would like to do my little bit to encourage higher numbers at all live original music events – especially an event with some decent bands like ATS – it is a real shame that ATS have left me with an overwhelming feeling of “fuck ’em”.

[1] Based on photos on the net from the Friday and Saturday I am genuinely curious to know attendance numbers, but I strongly suspect it wasn’t a sell-out.

Gigs in Guildford / SW Surrey and NE Hants September 1st 2017 onwards

September 1, 2017

This gig list is stuff that get’s the Wild Eye seal of approval, especially if the band or promoter are in bold.

If you look to your right you should see a page marked “Gig Listings on the Net A to Z” where I have linked a couple of local Facebook listings pages.  There will be further A to Z pages up soon covering local bands, labels, promoters and venues.

Let me know what I am missing.

Oh yeah… always worth checking out the Boileroom website as well.

Tuesday 19th September 2017
Joy Room, Fuzzwalker, Warp Rays at the Boileroom, Guildford
https://www.facebook.com/events/433234143725578/

Saturday 30th September
Lo!, Thuum, I Saw The World Burn, Negative Thought Process, Praecantator at The Sanctuary, Basingstoke
https://www.facebook.com/events/477385599292291/

Sunday 1st October 2017
Thuum, Wytch Pycknyck, Slug13, Newts live at The Star Inn, Guildford [Leafy Incline Promotions]
https://www.facebook.com/events/1839197016332731/

Friday 6th October 2017
Trevor’s Head, Morass of Molasses, Heinous Pianist, Silent Mode at the Swamp at the Facebar.
https://www.facebook.com/events/164401130779858/

Saturday 7th October 2017
False Advertising, Silent Mode at The Sanctuary, Basingstoke
http://www.bandsintown.com/event/15119244

Friday 13th October 2017
Crisis, Deadcuts, Holy Faction at the Holroyd Arms, Guildford
https://www.facebook.com/events/449174145438567/

Saturday 14th October 2017
The Grudge, Heinous Pianist and Stone Soup at the Lounge Bar in Alton
https://www.facebook.com/events/782076291974860/

Tuesday 24th October 2017
Baby Seals, Moper and Swords of Thought at at The Star Inn, Guildford
https://www.facebook.com/events/1750740838558322/

Wednesday 1st November 2017
Syd Arthur and Vinyl Staircase at the Boileroom, Guildford.
https://www.facebook.com/events/1900143626975066/

Friday 3rd November 2017
Valerian Swing, Dialects, The Glowing Juniper and Cody Noon at The Sanctuary, Basingstoke
https://www.facebook.com/SanctuaryLiveUK/

Friday 3rd November 2017
Silverchild, Morass of Molasses, Stone Soup at the Facebar in Reading (The Swamp)
https://www.facebook.com/events/1375695992528398/

Sunday 19th November 2017
This Is Wreckage, Space Church more TBC at the Star Inn, Guildford (Buffalo Club night)
https://www.facebook.com/events/1644920612216088/

Friday 1st December 2017
Tuskar, Morass of Molasses, Slug13, The Grey (TBC) at the Facebar in Reading (The Swamp)
https://www.facebook.com/events/316946622109714/

Sunday 4th February 2018
Line-up TBC [Leafy Incline Promotions]
https://www.facebook.com/events/1965125827096664/

Past Events –

Friday 1st September 2017
Still Wave, Parachute For Gordo, Analogue Device at The Sanctuary, Basingstoke
https://www.facebook.com/events/1964523520502717/

Friday 1st September 2017
Bloodhoney, Naked Aces, Camcorder at The Rowbarge, Guildford
https://www.facebook.com/events/315773242216231/

Sunday 3rd September 2017
Punk Rock BBQ at the Star Inn, Guildford – All dayer
Spoilers, Screech Bats, Captain Trips, Emergency Bitter, Kilter, The Landings, Freakouts
https://www.facebook.com/events/323545878074179/

Monday 4th September
Train Robbers, Luna, Lupus, Stu Brootal at Komo in Guildford (UpSet)  Hip-hop / rap / etc
https://www.facebook.com/events/114926529210171/

Thursday 7th September 2017
Freakouts, Spit, Xero, Revelry and Hydrocele at the Boileroom in Guildford
https://www.facebook.com/events/1446526652049559/

Saturday 09 September 2017
Febueder, Ash The Author, Catgod, Figures of Speech, Cody Noon, Vienna Ditto at Oakford Social Club in Reading
http://www.songkick.com/concerts/30997889-febueder-at-oakford-social-club

Sunday 10th September 2017
Princess, Camcorder, Big Gruesome, Bent Ref and Silent Mode at the Star Inn, Guildford [Trial n Buffalo pt 2] – FREE
https://www.facebook.com/events/1599945420039344/
https://www.facebook.com/Trial-N-Error-Productions-1511711255801880/

Tuesday 12th September 2017
Who Saw The Light, Tuskar, Loxdown (?!?!), Daisy Chain at the Star Inn, Guildford – should be a very good one.
https://www.facebook.com/events/114455422598504/

Friday 15th September 2017
Atlantic Fire, Fainites, Andy Ruddy, Dead State and Soeur at the Boileroom, Guildford
https://www.facebook.com/events/325039217919761/

Moper, Dead State, I Plead Irony, Daryl Vorderman at the Star Inn, Guildford Friday 18th August 2017

August 28, 2017

I didn’t get round to reviewing this one before… and I ain’t now, but I’ll say a few words.

I had a real nice vibe going all night, probably down to seeing the Forward 4 Wiz Trust sign and thinking about the guy I did not know who wrote some of the best lyrics I have ever heard.  MC4 were a superb band, but Wiz’s lyrics were the one thing that from my perspective were genuinely great about them.  I do not use that word lightly.  Off the top of my head I cannot think of a better lyricist, anywhere, ever.  Only the good die young indeed you sod.  You have no idea how much I would love to be able to see you up on stage now.

Pride and Prejudice is one of the most beautiful songs out there IMO.  I’m in tears just re-reading those lyrics now.

If you read this blog you know I like boxes.  I love it when a band just headfucks me, throws it all in, noisily, confuses the hell out of me.  Who Saw The Light are the best example recently but the first couple of times I saw the mighty Space Church were similar.  But even when this is happening I’m always trying to pin bands down to a style or genre.

Dead StateI Plead Irony, and Daryl Vorderman are all probably independent, alternative punky rock or something… but they’re the non-weird, more song-based and less experimental end of that… I tend to prefer the weirder noisier end, unless the band in question really does blow me away with magnificent songs… and writing magnificent songs is kinda the really tricky bit in all this (well that and playing guitar, hitting things in time and singing, they’re all damn-near impossible as well).  Enjoyed ’em all, but Daryl Vorderman definitely have something and Dead State definitely have a decent front man.

Moper are a fucking let down.  I say “a fucking let down”, but I kinda meant to say, a fucking let down apart from –

The guitar – the sound, the stripped back simplicity, the beauty, the way there is not a single unnecessary note all night.

Voice – I really love Johnny’s voice, some people might say it’s authentic.  That’s a bullshit expression, but it is deeply convincing.

The way the drums and bass work perfectly to compliment the above.

The songs.

But apart from that, pretty average.  Go check out their records.

Forward 4 Wiz Trust on Facebook

Cody Noon, For Astronauts and Satellites, Aching Muscle and Sleepwalker at the Star Inn, Guildford 27th August 2017

August 28, 2017

Trial ‘n’ Error join forces once more with the Buffalo Club for a night that could best be described as experimental and eclectic.  Four acts with arguably next-to-nothing in common, certainly not superficially, other than three do not feature live drums and if you were to turn up for some rock, punk, indie then you’d be left disappointed.

Sometimes I go to gigs and just don’t much get into it, for no real reason I can put my finger on… other times I just get into it from start to finish and even when it’s not 100% my thing.

Up first, Sleepwalker.  Stef takes off his promoter’s hat and puts on one that I’d mark ambient minimal techno.  He stands in front of the stage and twiddles knobs on the assortment of kit – mixer, laptop, keyboard and some other shit – in front of him.  I missed the start of the set, but really loved what I did catch, which I think was most of it.  Of all the electronica / dance music out there this is pretty damn close to what I like most.  Quite a pure, warm sound.  Simple, funky, energetic… with ambient sweeps.  To my mind this is dance music for a bar / club that is equally effective as head music.  Really takes me back to 1997 / 98 when I was hanging out in little bars in central London on a Friday night, necking lagers and listening to electro-influenced tech-house.  Honestly, I have no criticism other than the Back Room of the Star is not the ideal setting.

Next up, Richard Fenning’s in his Aching Muscle guise.  An eclectic mix of electronic backing tracks, overlayed with live and looped guitar.  By turns fun, heavy, playful, funky, futuristic, lounge, rocking.  The playing can be relatively orthodox, but when it is it usually gives off a sense that it is being played exactly as intended – technically perfect.  Then he veers off in off-key, off-kilter, off-the-wall, off-ensive (not really), jazzy, mathy, experimentally directions that can sound quite random but I’m sure are just as precisely crafted as that which is more orthodox.

I’ve kinda got two criticisms.  A full live band can put out more power and volume, and, of course, gives you more to look at (not that Fennings doesn’t know how to work a stage).  The sound at the Star is really good – loud and faithful – but it’d be interesting to see how different, louder and more all-encompassing and powerful Aching Muscle would sound as a full band.  Failing that, in an ideal world, and this is asking a lot, he’d turn up with three half-stacks and route loops through one, drums and bass another and live guitar a third.  PA’s are fucking great but they compliment a back-line and can never truly replace one.

The second is this.  Music is never just about the music; to really love it you have to have a complete package to buy into.  Fenning’s other band – Pensevor, where he drums – are a perfect example.  They look like a proper band, down in no small part to their man-mountain front-man but not exclusively, and they have a sound that has nods to all sorts of things but is resolutely their own.  Get on stage by yourself and it’s a fuck-load harder to come across like a proper band, partly because you’re not, of course.  Nothing wrong with a solo act, nothing at all, but it’s just so much harder to come across like you’re on your way to a big stage, and so much easier to come across like you’ve just been let loose from your bedroom.  It’s about perception as much as reality, but it’s just harder to make it sound big and authentic (don’t get me started on authenticity in music, but just quickly, authenticity is bullshit, but people’s perception of it makes a massive difference to how a band is received.)

Third up For Astronauts and Satellites… pretty sure I’ve seen them before, but if I did I didn’t much enjoy them and don’t much remember them.  Dunno what was different this time – probably my attitude not them – but I really enjoyed it.  Shoegaze-influenced post-rock, combining electronics with two guitars; it was the drums that really did it for me.  Bugger.  I noodle at home with a sequencer, but yet another band proves exactly why a relatively traditional live band is so powerful, even 50 years or so since the first all-electronic acts, and despite the fact that so much of the last 30 or 40 years the more cutting-edge music relies increasingly on techniques other than live performance.

Really funky guitar noise.

Finally Cody Noon.  Kinda the missing link between Sleepwalker and For Astronauts, again funky, minimal programmed drums, again guitars, and the only live bass of the night.  Technically I am far from convinced by Cody Noon’s talent, none of Aching Muscle’s effortlessness… but for (1) I’m probably selling them short, and for (2) I really do not give a fuck.  If talent in and music out bore any real direct correlation then Eric Fucking Clapton would make music that could be described as “listenable” or “not horrific” or “unlikely to invoke murderous thoughts in the listener”.  I can’t really describe them… beer blamed, or maybe it’s just cos there’s absolutely nothing to what they do… repetitive, simple… but I really liked it and maybe even my favourites of the night.  In fact, not maybe, they definitely were.  Anything that drones is fine by me, but much more so when it is the drone of repetition as opposed to the drone of a continuous note.

Really looking forward to checking out recorded music from all of them, not least the three whose CDs I walked out with.  Keep and eye, I might even write about them in the next few weeks.  Expect me to come away with completely different perceptions from those I took away last night.

https://codynoon.bandcamp.com/

https://forastronauts.bandcamp.com/

https://soundcloud.com/aching-muscle

https://www.facebook.com/The-Sleepwalker-1700078336900454/

https://www.facebook.com/thebuffaloclub/

https://www.facebook.com/Trial-N-Error-Productions-1511711255801880/

Blind River, Princess, Noisepicker, Lost You To The Cities at the Star Inn, Guildford – 3rd August 2017

August 6, 2017

Lost You To The Cities… seen ’em before, really pleasant in a late Sonic Youth way, sorta, but nowhere near as good (unsurprising given Sonic Youth equals GOD).  Pretty, instrumental… really easy on the ear, but can they add some je ne sais quoi?

Noisepicker rock. Great voice, muddy guitar sound, nice, heavy riffy shit.

Princess are losing the trebly abrasiveness that I kinda thought was them… more universal sound now, love the post-punk bass, great drums… I like… they’re gonna get more fans like this… but for me was their wilful sonic evilness their main USP?  Dunno, but fuck it, Wild Eye likes bands that say fuck you to their audience and Princess are saying that less loudly nowadays.

Blind River. Great voice (Noisepicker singer). Sorry, I don’t do hard rock. Review over.

Next Trial n Error night is the 27th August at the Star.

Trial N Error – Star Inn Thursday 3rd August 2017

July 24, 2017

Looks to be a good one.  Slug 13 do their riffy, grungy noise rock thing.  Princess bring more of a Cave / Cash vibe to their noise rock thang.

Noisepicker who I’m really looking forward to seeing, and Lost You To The Cities complete the bill.

Get there!

Trial N Error-Star Inn

Current Best of the Rest

July 23, 2017

Best of the rest in and around south-west Surrey and north-east Hants – Guildford, Farnborough etc etc… and a bit further afield.

Freakouts – Grungey punk / post-punk newcomers.

https://www.facebook.com/freakoutsband/

Grits – a surprisingly unique combination of heavy alternative rock with a reasonably mainstream sensibility.  Or maybe this is bollocks.  They rock.

Morass of Molasses – fine sludge 3 piece.  Riffs aplenty.

https://morassofmolasses.bandcamp.com/

Parachute For Gordo – suprisingly funky post-punk / post rock act who get tagged as post rock.  Or something.  Well worth checking out.

https://parachuteforgordo.bandcamp.com/

Princess – dark, scratchy, 80s Cave / Cash, noise-rock miserablists.  Fantastic.

https://princess3.bandcamp.com/

Silent Mode – desert rock / stoner thing.  They have quite a unique and heavy sound, really riffy and damn catchy.  The sort of band I can imagine winning over loads of new fans if they were on at a festival.

https://silentmode.bandcamp.com/releases

Slug 13 – grunge noise rock.  All riffs and wah and bass and drums.  It just works, getting better and better.  Check out the recent ep.  My kinda music.

https://slug13.bandcamp.com/

Space Church – madness.  I like them most at their heaviest.  They have the funk.  When they want to.  Different every time.

https://spacechurch.bandcamp.com/

Swords of Thought – noisiest pure pop band ever.  Or a poppy Sonic Youth.  Or something.  Are they a bit like William who I used to love?

https://swordsofthought.bandcamp.com/

Trevor’s Head – New lp on the way (and the last one, Tricolossus, was superb).  Stoner grunge shit.

https://trevorshead.bandcamp.com/

Typical Hunks – scratchy, noisy, 80s-sounding, drum-machine-wielding genii.

https://somehunks.bandcamp.com/

Best of the rest of the rest (bands on this list might have recently split up, or I haven’t seen them live yet and need to check ’em out more, or they’re too big for this list [esp. EtS]) – Aching Muscle – Blackwaters – Tommy Blackwood – Camcorder – Drugstore Cowboys – Employed to Serve – Eulogy – Fauntleroy – Gutlocker – Heinous Pianist – Vinyl Staircase.

Who have I forgotten – let me know?  All genres welcome but pure metal, progressive metal, folk, country or anything mainstream better be INCREDIBLE to get anywhere near the list.