Posts Tagged ‘Moper’

The Wild Eye Review of the Year – 2017

January 6, 2018

I love lists.  But I am also wilfully contradictory so fuck the lot of you – no end of year list from me.  Just a review of the year, some of my highlights, discoveries, and things I just ain’t got round to mentioning before.

I’m going to start with the Telescopes.  Either my second favourite band of all time, or my joint favourite with Spacemen 3… just depends what day of the week it is.  How many bands can release eight albums over a thirty-odd year period, then come up with two of their best within six months?  As Light Return was a return to their best… then Stone Tape probably bettered it.  Wowzers.

Typical Hunks released We are typical hunks and so are you on cassette on the doubledotdash!? label from Reading.  Pretty retro, drum-machine-backed, 1980s noise-rock… which fucking hits the spot as far as I am concerned.  One could argue that I am a hypocritical arsehole for not slating them for a relative lack of innovation, but I am Wild Eye and I can make exceptions, and I will continue for bands who continue to (1) be great and (2) plough furrows relatively unploughed.

Which takes me onto Slug 13.  Really  liked the Chasing A Prize Worth Nothing ep especially the mighty Break

Overcomplicated and 2 years old but fuck it, Fuckwit City by Cosmic Psychos rocked my 2017 –

Richard Fennings’ Aching Muscle guise freaked me out, confused and entertained me with its bizarro-funk-lounge-rock smorgasmicoborgish technicality.  Nice.  (In a jazz club way).

Oz Powell has released a track – “I’m Gone” from his upcoming “Supafuzz” ep.  I will say no more, but looking forward to reviewing the full release when it’s ready.

Moper released An Alter of Nothing Erected for No-one, a top top top album, utterly brilliant.  Buy it.

Muscle Tomcat Machine are a band I know nothing about but they released an album and look like this so why not add ’em?  10/10 for band photo originality.

Tuskar are one amazing 5 track ep into their careers and fucking rocking the doom / sludge etc scene whilst adding a little je ne sais quoi / Mastodon-y atmospherics.  Ones to watch, up their with Moper as one of the two genuinely class acts around Guildford / surrounds at the minute.  If you haven’t checked the ep then do it now, then check ’em live ASAP.  By “genuinely class” I mean they do something I love, and they do it well, and feel like a proper band who know exactly what they’re doing.  As an aside I was probably overly critical of this ep when it first came out… I think I gave it a pretty damn positive review, but the more I hear them and the more I hear their competition the better I think they are.  And they got themselves signed to Riff Rock Records.

I feel a bit bad for not including Who Saw The Light as part of a top 3 in that last paragraph… but they deserved to be judged on a different scale to other bands.  Awesome awesome awesome live – unless they’re having a bit of an off day, which does happen.  They are all over the place in a (very) good way.  Moper and Tuskar have a sound and have it nailed; they’re Olympic javelin throwers who are going to chuck their spears 100 m every time.  WSTL are Thor, drunk and on acid, giving it a go on the hammer – but as he spins and gets ready for launch we know it’s gonna go a mile but we have no idea whatsoever whether it’s going to be in the right direction or not.  All they need to do is add some extended, deeply repetitive drone sections and some seriously poppy Andrew WK-style metal to the mix and they will be perfect.  Or something.  WTF do I know?  And their ep… superb…

Pensevor are – I think – planning LP no. 2.  Cannot wait.  What’s the news boys and girls?

Buffalo Club and Leafy Incline continue to put on great shows.  This Is Wreckage from Wales noise rock heaven, and they’re coming back to Surrey!  YES!!!!

And Camcorder and Princess put out new vids –

And then we’re gonna finish with this Freakouts classic –

Another fucking miserable December of PSA (Pointless Shit for Arseholes) at the Star (seriously, if your sense of humour isn’t slightly more sophisticated than “adult panto” you deserve to be literally crucified, but on a rotating cross where you can be fucked up by being hung upside-down, then turned the right way up just before the blood to your head kills you to prolong the agony, then back again, then back again.  I might even advocate taking you down every few days for medical treatment and pins under the finger-nails, before nailing you back up there.  You are worse than Trump and Gove combined), but things kick right off again on Monday –

Tuskar, Daisy Chain, Who Saw The Light LIVE

Then there’s this mob.. check ’em out –

Who have I forgotten to mention?  Loads probably, let me know.  There may be a part two if I remember some records I bought and gigs I saw, or someone does that job for me.


Moper, Bops, Joe Booley, Burrito Loco, Guildford, Sunday 5th November 2017

November 27, 2017

So, do I remember fuck all about a gig I went to three weeks ago?  Do I remember much about gigs I went to half an hour ago? Do I ever have the half a pint and no more that would enable me to judge the music at my best?  Is my best good enough? Questions, questions questions.

Joe Booley, missed at least half his set… electric guitar, singer-songwriter thing, not bad at all… he does a full band thing with Parachute For Gordo… his music online goes from very simple acoustic / vox simplicity (pretty good as it goes) to more electronic elements more recently (not convinced yet but gonna keep an eye because too few bands locally have electronic elements – which is partly cos doing it well is so damn hard).  Aiming to play 10 gigs in a day very soon, interesting guy with an interesting take, not 100% my thing, but I approve, and I trust his intentions. I don’t expect him to give a fuck what I think, but half the battle is pursuading potential fans that you have something that can be bought into.  I’m not 100% convinced that the music’s for me, but I am convinced – by what he does and how he comes across – that he’s on a righteous path. Worth keeping an eye on at the very least… but then I knew that the second I knew PFG were working with him.

Bops – album out on Rose Coloured.  French.  Would be very very easy to dismiss them as far too retro, and to be honest I am just not in a position in my life right now to really fall for a band like them.  But their very poppy, slightly psych-y take on sixties guitar pop, energetic, melodic, the accent really worked on the vox… really good.  My other half’d love ’em I reckon.

I really ought to check the album out and make sure she does too.

Moper – they really are an amazing band.  They’ve got the best songs out of just about any band I’ve seen around here in years… Johnny’s a fine frontman, great guitar sound, awesome volume. Job’s a good ‘un if that’s all the positivity I could find.

Image may contain: 1 person, indoor
[Photo credit –]

Then you have the rhythm section, they just work, they rock, they groove. Such an intimate space, so close to Ben’s bass, one bit he gave Adam on drums a look and a smile… I might be reading far far too much into it, but the second I saw it I thought “he’s thinking – and telling Adam with the look – that he knows that what Adam just did was deliberate, that he know’s Adam’s trying to keep him on his toes, but no, he ain’t fucking up, in fact he’s gonna step it up another level and relish the challenge”.  I’m probably reading far too much into it, but what I am not reading too much into is that there’s a real groove, chemistry, funk and superbity or something.

All of which occurred in a tiny burritto bar.  A squeezed in three-piece with enough power for a considerably bigger venue took up almost half the floorspace, the audience squeezed in the rest.  Utterly ridiculous place to host any event, let alone a gig, I approve, thoroughly approve.

Hats of and thanks to Andy at Rose Coloured.


The Baby Seals, Moper, Swords of Thought – Star Inn – Tuesday 24th October 2017- Guildford

October 26, 2017

I didn’t get Jasta 11 at first.  I like to know where something / someone is coming from, and I couldn’t really see past Jasta 11 being pretty random and pretty hit or miss.  Then I basically realised it wasn’t that complicated… it’s kind of an old school, open-minded indie mindset – my background really – whereby guitar pop, punk, a bit of rock maybe, is the staple, whilst slightly noisier or dancier or more experimental stuff sometimes gets on the bill.

There’s plenty of stuff they put on that doesn’t overly interest me (I can’t like everything, I can’t go to every gig), but I love them because –

(1)  They put on lots of gigs
(2)  They try to get people out to gigs – their own and others
(3)  They put on some great local bands
(4)  They put on more touring bands than probably any other local promoter (in-house promoters maybe excluded)
(5)  They seem to make a particular effort to put on female bands which is a VERY GOOD THING (Nova Twins deserve a special mention for being fabulous).  [Wild Eye daydreams silently…. mmm… Skinny Girl Diet are a really great band, it’d be great if some local promoter were to book them… pretty sure they’re based reasonably close in the scheme of things.  Or the Tuts maybe.  mmmm… be good to see them again…]

Follow them –

I really liked Swords of Thought when I first saw them… less so last time out.  Tonight though they were back to their best thanks to a second new bassist in quick succession who’ll hopefully last a lot longer than the last.  I think there were at least a couple of new songs alongside older favourites… I really like their energetic, noisy, poppy, 90s, American-sounding indie-rock thing.

[Have you checked out my A-Z pages which are accessed via the top right (ish) of the page… most local bands that are decent, half decent or interesting / heavy are listed with links galore… let me know what I’ve missed, links, bands, promoters, venues etc etc.]

Moper rock… dunno, maybe I preferred ’em a touch more last time I saw them, but they always seem to play a slightly different set in a slightly different way, keeps it interesting… but fuck me, WHAT A BAND basically. Two things, a huge percentage of top bands are actually pretty funky when they put their mind to it.  They have that swing, they have that funk.  Tuskar do, I think, somewhere in their brutal sludge-doomnation.  So do Moper.

Hip-Hop.  Johnny had his Wu Tang T-Shirt on, he said something about hip-hop I think… kinda sarcastic, but you know what he’s onto something… Moper are a rung or two above the masses because there is a lot more to the music than you might assume if you simply took the quiet misery and the noisy aggression (combined with more fucking misery) at face value.  Come to think of it that was probably the schoolboy error I made the first time I saw them.  Idiot.

The Baby Seals were on last.  I’m gonna do the complete reverse of what I normally do. I normally try to make an absolute point of not mentioning when there are women in a band – it doesn’t matter.  But this is about them and female bands more generally.  Here goes.

All-female, guitar bass drums three piece.

The music was rudimentary indie/garage/rocknroll.  When Billy Childish makes such music I worship at his feet.  When most other people do it I say “nice enough, but give me something more interesting or heavier or newer”.

If you’re not going to be as good as Billy Childish then you’d better do something different.  It is no shame not being Billy Childish… not many people can claim to have written books, published poetry, had their art exhibited at the ICA and knocked out 100-plus albums in their career.  Top top musician and artist.  I digress.

Depressingly, in 2000 and fucking 17, being an all-female band IS doing something different.  I’d find it much harder to enjoy an all-male band playing the same set.  Is this my prejudice?  Is it my reverse-prejudice?  Or is it that however much the music might be on the face of it the same, there tends to be an intrinsic difference between the way men and women approach the instruments, and if you’re tired of what you normally hear (a male approach) then a female approach is going to sound a bit different even if you can’t put your finger on why.

I think it’s maybe a bit of all of them, but quite a lot of the latter.  AND you obviously have the lyrical content which in Baby Seals case means songs explicitly about a female experience and explicitly for a female audience.

I really enjoyed the set.

For the band’s sake it’s a real shame that there weren’t more women in the audience.

Really good night.

Moper – An Altar of Nothing Erected For No-one – LP

September 5, 2017

Nothing but a fairly clean guitar, doing fuck all, slow, sadly. A voice. He feels much better, apparently. He doesn’t sound like it. “Life is so short.  It feels so long when you’re alone.”  Sure does. “Everything’s temporary.

They  say ‘an apple a day..’? you die anyway” is almost up their with the Hell’s “Everybody Dies” in pure genius stakes.

Negotiating with Prey is proof that a simple guitar and voice doesn’t have to sound retro, even if nothing about the song is particularly modern. Great start.  Love it.

Bass and drums.  Moper by Moper.  Slow, nothing to it, more misery.  That this is one of the weaker songs says more about Moper than it does Moper. I nearly got those italics the wrong way around.

Drums are class on Pennypusher.  The way they work with the guitar/bass. The vocals.  The way Johnny sings “I’m giving everything I’ve got.” Love it.  Some class guitar noise.

Shit City Birdbath might be the best yet.  No idea what the fuck he is on about most of the time but who cares? Andrew Falkous is practically GOD and I don’t know WTF he is on about either.

Ants In My Eyes. Bass kinda reminds me of Black and White-era Stranglers (BIG compliment coming from, or indeed anyone else who knows their shit). This one rocks. And stomps. It kinda takes the piss a bit as well. Crash bash.  Ends.

Bork could almost be light relief if it were not for the slight sense of foreboding.  Fuck… it is still light relief. Some of these guitar sounds are f’ing awesome.

Featuring the title lyrics, Leo Slayer matches Falkous in the title stakes (just about).

Ends with an acoustic number. Cheery. Dig. Like Moper, not one of my favourites but after the relentless, understated misery and kinda supressed brutality made beautiful, somehow, it’s kinda necessary.

What makes a record? The way it sounds. The songs. Whether it convinces. Top marks on three fronts.  Buy it.

Available here –

Moper, Dead State, I Plead Irony, Daryl Vorderman at the Star Inn, Guildford Friday 18th August 2017

August 28, 2017

I didn’t get round to reviewing this one before… and I ain’t now, but I’ll say a few words.

I had a real nice vibe going all night, probably down to seeing the Forward 4 Wiz Trust sign and thinking about the guy I did not know who wrote some of the best lyrics I have ever heard.  MC4 were a superb band, but Wiz’s lyrics were the one thing that from my perspective were genuinely great about them.  I do not use that word lightly.  Off the top of my head I cannot think of a better lyricist, anywhere, ever.  Only the good die young indeed you sod.  You have no idea how much I would love to be able to see you up on stage now.

Pride and Prejudice is one of the most beautiful songs out there IMO.  I’m in tears just re-reading those lyrics now.

If you read this blog you know I like boxes.  I love it when a band just headfucks me, throws it all in, noisily, confuses the hell out of me.  Who Saw The Light are the best example recently but the first couple of times I saw the mighty Space Church were similar.  But even when this is happening I’m always trying to pin bands down to a style or genre.

Dead StateI Plead Irony, and Daryl Vorderman are all probably independent, alternative punky rock or something… but they’re the non-weird, more song-based and less experimental end of that… I tend to prefer the weirder noisier end, unless the band in question really does blow me away with magnificent songs… and writing magnificent songs is kinda the really tricky bit in all this (well that and playing guitar, hitting things in time and singing, they’re all damn-near impossible as well).  Enjoyed ’em all, but Daryl Vorderman definitely have something and Dead State definitely have a decent front man.

Moper are a fucking let down.  I say “a fucking let down”, but I kinda meant to say, a fucking let down apart from –

The guitar – the sound, the stripped back simplicity, the beauty, the way there is not a single unnecessary note all night.

Voice – I really love Johnny’s voice, some people might say it’s authentic.  That’s a bullshit expression, but it is deeply convincing.

The way the drums and bass work perfectly to compliment the above.

The songs.

But apart from that, pretty average.  Go check out their records.

Forward 4 Wiz Trust on Facebook

Current Top Four

July 22, 2017

I did a Top 10 local bands a while back. I have an updated top 4, best-of-the-rest better follow.

Three of them are playing tomorrow (not all together).

Guildford and surrounds we have, in alphabetical order –

Moper – didn’t much like them when I first heard them but they’re just getting better and better with each release. Depressing, simple, noise rock, often not that heavy, but it just works, probably because they have some amazing songs and a vocalist / lyricist (and guitarist) who sorta of reminds me of Andrew Falcous.

Pensevor – dirty, droning, did I say dirty, raw, filthy, doom. Surprisingly delicate, interesting, fantastic drumming, steady bass that just does the job, one of the most imposing and vulnerably aggressive front men you will ever see… and the icing on the cake, some of the filtiest and heaviest guitars you will ever hear with tone to die for. Damn near perfect.

Tuskar – sludge, doom, stoner heavy-as guitar-drums two piece. Tyler is an animal on drums whilst covering vocals. Riffs applenty, verges on metal in places. In a good way.

Who Saw The Light – heavy, nuts. Not many bands can claim doom as the main vocal style whilst having music that encompasses prog, shoegaze (occasionally), metal, hardcore punk, math, pretty much everything. First ep out tomorrow.

Buffalo Club Youtube Channel

April 19, 2017

If you’ve not done so before check out the Buffalo Club youtube channel – locads of live videos from some of the bands who’ve played there.  Check it out –

Buffalo Club Youtube Channel

Gigs in Guildford and Surrounds April 1st 2017 onwards

April 1, 2017

Updated list of upcoming gigs by bands in and around Guildford that have caught my eye… this does purport to be a full listing – it’s stuff that’s caught my eye, with bands or promoters I particularly like in bold.  If you’re in a band or a promoter or venue then you’re welcome to get in touch and let me know about what you do – if it interests me I’ll add you on.

Saturday 15th April 2017
Moper (ex-SBB), Group of Man at the West End Centre in Aldershot

Friday 21st April 2017
Camcorder, Moper (ex-SBB), Tailblock, Grenades at the Fighting Cocks in Kingston

Sunday 23rd April 2017
End of Salvation, Gutlocker, Kill For Company, Spreading The Disease at the Star Inn, Guildford

Friday 28th April 2017
Wonk Unit, The Wonder Beers, Second In Line at the Star Inn, Guildford [Jasta11 Gigs]

Friday 28th April 2017
Masiro, Slug 13, Luau, Who Saw The Light at the Lounge Bar in Alton [Trial n Error Night]

Saturday 29th April 2017
ALLUSONDRUGS at the West End Centre in Aldershot

Sunday 30th April 2017
Muncie Girls at the Boileroom in Guildford

Monday 1st May 2017
Meat Wave at the Boileroom in Guildford

Thursday 4th May 2017
Muncie Girls plus Support at the West End Centre in Aldershot

Friday 5th May 2017
Diggeth, Cavalli, March The Desert, Squid Resist at the Face Bar in Reading [The Swamp]

Saturday 6th May 2017
Forward 4 Wiz Trust 10th Birthday Celebration
I Plead Irony, Parachute For Gordo, Deadstate, Princess, Red Means Danger, Joe Booley, The Hunt at the West End Centre in Aldershot

Tuesday 9th May 2017
Shame at the Boileroom in Guildford

Thursday 11th May 2017
Hands Off Gretel at the Boileroom in Guildford

Sunday 14th May 2017
Buzz Rodeo, PORCH, This is Wreckage, Space Church at the Star Inn, Guildford [Buffalo Club Night]

Friday 19th May 2017
Morass of Molasses (album Launch), Cybernetic Witch Cult, Prophets of Saturn, Sons of Endor, Tuskar in Reading [The Swamp]

Friday 19th May 2017
Skraeckoedlan, Tank 86, Pensevor at the Sanctuary, Basingstoke.  [Buffalo Club night].

Saturday 20th May 2017
Deadwound, Pensevor, Sealclubber at The Fighting Cocks, Kingston

Friday 2nd June 2017
The Frankleys, Camcorder plus more TBC at the Star Inn, Guildford [Jasta 11 Gigs]

Friday 2nd June 2017
Heinous Pianist, Sizzling Bonobas, Senor Fire at the Lounge Bar in Alton
Note – First support band should really change their name to Sizzling Bono His Smug Face Melting on a Barbecue for the World’s Pleasure and Delight

Sunday 18th June 2017
Jungfrau, Swords of Thought, and more TBC at the Star Inn, Guildford [Buffalo Club Night]

Friday 30th June 2017
ALLUSONDRUGS / Icarus Dive / Silent Mode at the Star in Guildford [Jasta 11 Gigs]

Sunday 30th July 2017
Moper (ex-SBB) at the Facebar in Reading

Promoters to follow –

The Buffalo Club Facebook Page – Noise, alternative, all sorts.

Jasta 11 Gigs Facebook Page – Indie, alternative, all sorts.

Leafy Incline Promotions Facebook Page – Noisy, grungey stuff.

Rose Coloured Records Facebook Page – Indie, alternative, all sorts.

The Swamp Reading Facebook Page – Sludge, Doom

Trial N Error Productions Facebook Page – Sludge, DoomAll sorts / experimental

Venues to Follow –

The Boileroom Guildford Facebook Page

The Facebar Reading Facebook Page

The Lounge Bar Alton Facebook Page

Sanctuary Basingstoke Facebook Page

The Star Inn Guildford Facebook Page

West End Centre Aldershot Facebook Page

Past Events –

Friday 7th April 2017
Confessions of a Traitor, Gutlocker, Throatpunch City, Silent Mode at the Lounge Bar in Alton

Friday 7th April 2017
Hummune, Wychhound, Morass of Molasses, Nyogtha at the Facebar in Reading

Sunday 9th April 2017
UNMAN, Typical Hunks, Lost You To The Cities, Gift of Blindness and Sleepwalker at the Star Inn, Guildford [Trial n Buffalo Night]

Nova Twins, IDKFA, Moper – Jasta 11 Promotion at the Star Inn Guildford 25th February 2017

February 25, 2017

First on, Moper.  The first time I saw them, under their old moniker, I wasn’t overly impressed.  “Overall interesting, not bad, lots of potential… but not my thing right now.  I’d be more than happy to turn up at a gig and find out they were on the bill, but I wouldn’t go far out of my way specifically to see them” was what I said.  Since then I have made an effort to listen to them online, grown to like them and bought their records.  I judge the bands I see by pretty high standards, but I do try to like local bands, try to give them a chance, give myself every opportunity to grow to like a band so I can go and enjoy gigs locally.  Fucking glad I did with this mob, and it was hardly a chore.

They describe themselves as “abrasive and noisy post-hardcore”*.  Yet again my [lack of] knowledge of the multitude of genres and sub-genres over the last 25-30 years lets me down… but I think I can say for sure that Steve Albini and Shellac are influences.  Drums vary between rocking fairly hard, and, perhaps more often, odd time signatures.  Add some really nice bass and a Johnny’s guitar / vox and that’s them.

Johnny has a really nice voice that suits the music.  The guitars can be noisy, abrasive, scratchy and nasty, but more often than not stripped-back and beautiful is as appropriate a description.  Very few bands I have ever seen have taken the volume right down and have had the audience in near-as-damnit-silence… in fact I can only think of one off the top of my head… and the band that managed it (more than once in various times I saw them) were a semi-acousitic / cello / percussion three piece who played their entire set pretty quietly, and had fewer people in the room than Moper did.  And the band leader can boast a major-label solo deal and at least one ToTP appearance as a member of a band on his CV.

It’s hard for me to really judge how good they are – I just don’t know the competition well enough.  But I really like the balance they get between abrasion and beauty… and I have a feeling it’s their balance relatively in favour of beauty, in contrast to most bands doing a similar thing who favour noise, that makes me like them.

Go buy the wonderfully titled new album, “An Altar of Nothing, Erected for No-one”.  I did, and I have NO REGRETS.

I think Moper think they’re depressing, but for me there was only one band on the bill that made me sad.  They came on second.  I am opinionated and capable of making very quick decisions about whether a band is brilliant or not.

I liked the bassist’s MC4 T-shirt.

I like stuff that is relatively new, relatively different.  I have no issue with bands using sequencers, electronics, whatever, live… but dance music is VERY hard to do live.  And more than that, what’s the point?  The best dance music I have ever heard is drum and bass, techno, electro and tech-house.  The strengths it has are watered down by even the merest hint of live instrumentation.  It is meant to be pure and precise.

IDKFA are sort of a 90s rave band I think, probably with some more modern pop-dance / EDM influences too.  It is not my type of music on any level whatsoever.  If I wanted to listen to dance music I’d be in a dark basement club with a DJ, or I’d be at home sticking on Underground Resistance 12″s.  Sorry.

[There is a risk that as this review continues a certain inconsistency of thought will become apparent].

Finally Nova Twins.  Slightly odd that only 4 nights earlier, in the  same venue, I saw a similar-ish 3-piece set-up.  Drums, vocals, and a bassist doing most of the music… the only fundamental difference in set-up was Revelry’s singer just sings, Nova Twin’s singer (actually, vocalist is much more accurate) plays a bit of guitar as well (though not on every song).

To a large extent my criticism of IDKFA is their melange… I’d rather my dance stripped down, simpler, more pure of sound and ditch the live bass and drums cos they can only take away from the precision, they cannot possibly add anything.  Nova Twins are a wonderful melange.

I kinda thought they sounded like Red Hot Chilli Peppers was a starting point, and that they’ve basically taken the intersection of rock, pop and maybe metal, and then infused it with a bit of hip-hop, drum and bass, grime (which is basically drum and bass plus hip-hop, plus a bit else isn’t it?) whatever else.  “We don’t call ourselves rock or grime” they said to the NME.  No they’re both.

Amy’s vocals are great, and I think I’d argue her overall stage prescence is even better.  Georgia’s bass is doing so much and my mind would have been considerably more blown had I not seen someone else pull off something similar so recently, albeit to a much lower standard. Could maybe give her a bit of criticism for being a bit light on the sub-bass, but when that kicked in, wow, props to the sound system at the Star as well to be fair.

I do not like rock-dance crossover acts.  Nova Twins are and they aren’t.  There’s no mess, no crossover because it’s all so seemless.  I could see them pretty damn high up the bill at a big festival.

* [Typo inspired ‘joke’].  In what style did William Shakespeare’s successors write pretty intense and slightly alternative plays?  Post-bardcore.  Sorry.