Posts Tagged ‘slug 13’

Slug 13 – Chasing A Prize Worth Nothing ep – Review

July 23, 2017

I like these guys.

It’s just all solid grungey noise rock riffs, wah, pounding drums, bass that sometimes rumbles, sometimes drives the song.

Lyrically Chasing a Prize Worth Nothing could match Moper in the sheer fucking misery stakes.  But fuck that there’s a riff, it ain’t gonna stop.  OK it is.  My kinda solo, proper punk / grunge filth.  Pretty frenetic build.  Break is more of the same, but maybe simpler and thus better.  I really like Rich’s drumming.  Wah solo, fucking yes, driving driving bass.  Let’s face facts, grunge was basically the high point of rock n roll.  The point where it had learnt from punk and metal, and just wanted get fucked up, dirty, loaded and rock out, and before it got too post-modern.

Wrench does nothing wrong, but it’s maybe like the 6th child in a massive family, never really loved like the first and the last and some of the others that had a bit more going for them.

Big Shot‘s kinda a bit more sophisticated, no good thing really, but it works.  Kinda goes off in a way that betrays their noise influence more.  Surplus Killing likewise, sound’s moving away from Seattle to Albini’s Chicago.  

They finish with the punk grunge of Lizard Tummy Neck.

If I gave ratings I’d give it a rating.  Check it out.  Check them out.

Available here –

https://slug13.bandcamp.com/album/chasing-a-prize-worth-nothing

Live – Star Inn Guildford, August 3rd and October 1st 2017

Current Best of the Rest

July 23, 2017

Best of the rest in and around south-west Surrey and north-east Hants – Guildford, Farnborough etc etc… and a bit further afield.

Freakouts – Grungey punk / post-punk newcomers.

https://www.facebook.com/freakoutsband/

Grits – a surprisingly unique combination of heavy alternative rock with a reasonably mainstream sensibility.  Or maybe this is bollocks.  They rock.

Morass of Molasses – fine sludge 3 piece.  Riffs aplenty.

https://morassofmolasses.bandcamp.com/

Parachute For Gordo – suprisingly funky post-punk / post rock act who get tagged as post rock.  Or something.  Well worth checking out.

https://parachuteforgordo.bandcamp.com/

Princess – dark, scratchy, 80s Cave / Cash, noise-rock miserablists.  Fantastic.

https://princess3.bandcamp.com/

Silent Mode – desert rock / stoner thing.  They have quite a unique and heavy sound, really riffy and damn catchy.  The sort of band I can imagine winning over loads of new fans if they were on at a festival.

https://silentmode.bandcamp.com/releases

Slug 13 – grunge noise rock.  All riffs and wah and bass and drums.  It just works, getting better and better.  Check out the recent ep.  My kinda music.

https://slug13.bandcamp.com/

Space Church – madness.  I like them most at their heaviest.  They have the funk.  When they want to.  Different every time.

https://spacechurch.bandcamp.com/

Swords of Thought – noisiest pure pop band ever.  Or a poppy Sonic Youth.  Or something.  Are they a bit like William who I used to love?

https://swordsofthought.bandcamp.com/

Trevor’s Head – New lp on the way (and the last one, Tricolossus, was superb).  Stoner grunge shit.

https://trevorshead.bandcamp.com/

Typical Hunks – scratchy, noisy, 80s-sounding, drum-machine-wielding genii.

https://somehunks.bandcamp.com/

Best of the rest of the rest (bands on this list might have recently split up, or I haven’t seen them live yet and need to check ’em out more, or they’re too big for this list [esp. EtS]) – Aching Muscle – Blackwaters – Tommy Blackwood – Camcorder – Drugstore Cowboys – Employed to Serve – Eulogy – Fauntleroy – Gutlocker – Heinous Pianist – Vinyl Staircase.

Who have I forgotten – let me know?  All genres welcome but pure metal, progressive metal, folk, country or anything mainstream better be INCREDIBLE to get anywhere near the list.

Masiro / Slug 13 / Luau / Who Saw The Light – The Lounge Bar, Alton 28th April 2017

May 4, 2017

Just a quick one… not got time to say much.

I love Slug 13 (grungey noise-rock) and Who Saw The Light (metal, weird, all-over-the-place-in-a-good-way) – not much to add to what I have said about them before.  Looking forward to seeing them push on.

Luau were on first.  A bit too garage / punk for my tastes, but not bad at all and the surf elements really add something.

Masiro were on last.  A bit too prog metal for my tastes but again, not bad at all.  Like Luau I’d like to see them again.

Cheers to Trial ‘n’ Error for putting in on.

Trial N Error Productions

Luau

Masiro

Slug 13

Who Saw The Light

Slug 13, Blackdroid, King Ghidora, Princess at the Star Inn, Guildford – Leafy Incline – Sunday 5th March 2017

March 19, 2017

Not a full review, far too late for that, and I did start drinking about 6 hours before the gig started, so arguably my views might be somewhat impaired.  But a few words anyway.

Slug 13 – getting tighter, good set, good signs.  If you like it noisy / grungy / riffy then fill yer boots.  Princess – fine set again, their abrasive gothic-tinged noise does it for me.

King Ghidora I’d not seen before… grungy, metally beasts, will definitely be seeing them again sometime.

Blackdroid came down from Southend.  FINE FINE BAND. Heavy.  Riffs galore.  Well impressed.

Top 10 Current Local Bands – Guildford and Surrounds – February 2017 (pt 2)

February 22, 2017

Moper, ex-SBB… are a band I’m still trying to get my head around 9 months (or so?) after seeing them live.  I’ve bought 3 albums.  They are dark, they place a massive barrier between the audience and themselves… but they’re gnawing away at me, I want to understand.  There’s a bit of Future of the Left about them, maybe.  Drawing me in.  Let them get to work on you… it might take a while but if your soul is pure, if a little haunted, then you’ll get there like I hope to.  Star Inn, Guildford, Friday, will to be there.

Grits I rate highly.  Not sure the extent they are something quite alternative trying to take high energy rock on board to make something more accessessible, or the other way round – a fairly mainstream rock band with hints at something quite challenging.  Either way energy levels, catchiness and plenty to keep it interesting to my [Wild] Eyes.  Fucking yes.  Facebar, Reading, Friday, would like to be there.

Who Saw The Light are a doom, grunge, metal, fuck knows what mess of a band and get away with it.  Who knows where they’re going, who knows why, but they have something.  Maybe I misunderstood but one song last time I saw them had its tempo set by a simple rhythm guitar part.  10 seconds in the bassist – whose taking lead vocal on the song – is having a bit of a go a the guitarist for massively reducing the tempo compared to when they rehearse it.  They really don’t appear to give a fuck.  I hope that what I’m seeing is the start of something special.  I fear they’ll get their act together and lose some of their irreverence and genre-spanning melange.  Then again they can certainly play so if they wanted to get their act together they would have probably done so already.

Songs To Punch Nerds To is great and Space Church have a live set that blew me away the first time I saw it.  I hope they keep writing, keep mixing it up.  Trevor’s Head seriously know what they’re doing too, dunno what more to say.

Slug 13 have the massive advantage of playing in a style that I’m a sucker for… though being able to write a top top riff kinda helps too.  Keep writing, keep ploughing that lovely furrow, maybe mix it up a bit too.  Or don’t bother.  Mixing it up that is, do bother full stop.

I love pop music.  Swords of Thought can write a song… but they do so in a nicely noisy way, that reminds me of some great great bands like Sonic Youth and Dinosaur Jr.  The Boo Radley’s debut album (which they themselves have kinda written out of history) is called Ichabod and I.  It is brilliant if you like that sort of thing.  Pure pop, combined with a “why use one distortion pedal when you can use 20” attitude (I swear that’s a reasonably accurate bit of paraphrasising from an interview I read back in the day).  SoT remind me of that.

Pensevor deserve their own post, so bugger it, I’m saying nothing for now.

Top 10 Current Local Bands – Guildford and Surrounds – February 2017

February 21, 2017

Top 10 Current Local Bands – Guildford and Surrounds – February 2017

The rules – you must be based in Guildford or not that far away.  I must have seen you play live.  You must have played in or near Guildford in the last year or so.  I have changed part of your name to the word shit to ensure that you don’t get too cocky if you’re on the list, and if you’re not on the list then you don’t get a shit so there’s some consolation.  This list is based on FACTS not my personal opinion.

If you’re on the best of the rest then I wanna see you, or you just missed out, or you haven’t played locally recently enough, or you’re there cos someone I trust rates you, or maybe you’re just so fucking good that I think you’re too good to be judged against other local bands.

Feedback welcome.  Noise a guitar makes I mean, not your replies.

(1)  Penshitvor

(2)  Swords of Shit

(3)  Shit13

(4)  Shit Church

(5)  Trevor’s Shit

(6)  Who Saw The Shit

(7)  Shits

(8)  Shitter

(9)  Victorian Whore Shits

(10)   Typical Shits

Best of the rest – Blackwaters, Tommy Blackwood, Camcorder, Employed to Serve, Eulogy, Gutlocker, Heinous Pianist, Morass of Molasses, Princess, Vinyl Staircase.

Vital Note – Eulogy and Swords of Thought – PULL YOUR FINGERS OUT.

Another thing… maybe, going back 25 years, I didn’t get to as many local gigs as I should have… and no offence you lot but I am not sure any of you come close to touching the genius of Mega City Four and in particular Wiz’s incredible lyrics.  But overall the standard now is so high, it really is.

Trial and Error All-dayer

October 19, 2016

I’m not going to say too much, not least as I missed most of it.

Sanctuary.  Basingstoke.  Sunday 16th October 2016.  LOADS OF BANDS.  Cos I am so busy and important I missed most of it.  Thanks to Stefan Powell for organising, and well done all involved for the cash raised towards CDH UK.

I saw three bands, and they’re all bands I have seen before.  Space Church had just started when I arrived.  I really like them.  I recommend the album.  Highly.  They prove that you don’t need noise noise noise to make challenging music.  They prove that you can mix things up and still sound like a proper band.  The only downside is the set-list seems to stick too close to the album… are you not writing new stuff?  Why not chuck in the odd older song?

Warren Schoenbright.  I like them.  I love the drummer, I like the bass.  There’s two things I don’t particularly like, both of which say a shit load more about me than they do WS.  (1)  I love noise, but I love songs too.  WS don’t much do songs.  (2)  The third member.  Laptop and other hardware.  I have no problem with bands not being fully live with real instruments all the way… but I don’t like not knowing what someone is doing, and I also think – probably completely illogically – that if you’re gonna stick a computer on stage then get the fucking thing to do everything for you.  Press the fucking button and let it do its thing, then remove the laptop from the (non-)stage at the end of the set.  Stand next to it if you want.  Do a bit of fiddling if necessary.  But spending all set fucking around with shit that should be done by the computer also sat right next to you – what a waste of time.  Anyway, as I say, that’s my problem not theirs.

Slug13.  Nice.  Really nice.  I’ve started checking out more of their music online and its damn good.  I don’t really now what more to say.  The vocals were (very) quiet, the songs were loud.  They remind me massively of Mudhoney as I’ve said before, but that’s much more down to the fact that I love Mudhoney and I don’t know as many of the other bands who were around at the time as I should, both those that were grunge and those that shared elements of the grunge sound.  Should probably start with Tad and The Jesus Lizard – I like it when bands help you with their influences.  Never really listened to Tad apart from the odd song on John Peel back in the day.  I have “Head” on vinyl, but it hasn’t had a play in probably 23 or 24 years.