Desert Rock from Farnborough, in Hampshire, UK. Saw them live not so long back and enjoyed ’em… trawl through back posts if you wanna check that review out.
Whoosh, riff not too loud, drums come in, builds… the song properly kicks in at around 30 seconds… I love the repetition of the guitars in the verses. I love the spacey sounds (phaser I think, but if I say that its bound not to be). I love that the lead guitar, such as it is… it keeps it pretty simple too. Most of all they have a sense of melody that comes across most in the vocals. That was Silent Mode‘s Gasoline.
Corkscrew starts chug chug chugging, simple drums… vox come in. Simple, ticking along… what’s gonna happen. Drums are picking up. Shouting, thumped drums and a dead simple riff. We’re back to chug chug chugging. It’s dropped right down now, vox are back. Its picking up again. Chorus is back. Shouting, thumped drums and a dead simple riff. Definitely the ‘b-side’ of the two tracks but it’s good.
If I have two issues about the scene around here it’s this –
(1) Writing any sort of memorable song or even riff ain’t easy. You can make amazing music without being able to write a song that sticks in the mind like “Smells Like Teen Spirit”… but for most bands a lack of a greater sense of melody holds them back somewhat.
(2) Most bands I like tend to sound wilfully single-minded in the furrow they plough, or they sound generic and modern. The former I prefer, all music should be uncompromising… but all music should also be aware of the world in which it lives, and even if it is a baroque / ambient math-metal hybrid it should be aiming to sell 20 million.
I am not saying Silent Mode are the next big thing, or even that they’re my favourite band around here, but I’m keeping an eye on them. They do have a sense of melody, and to my ears they sound like they’re prepared to work with 2017 not fight it head on, whislt not sounding generic. Go check ’em out live.